It features Moroder at his poolside breakfast table: red silk dressing gown, luxuriant moustache, bottle of champagne on the go, trio of excited young ladies dancing around him. From previz through to final finish they did an incredible job in seamlessly building the featured hero character class powers, demons and Diablo spirit into our immersive live-action journey.T here are some extraordinary photos of Giorgio Moroder taken at the height of his fame. Working with the VFX team at The Mill was a fastidious and exciting collaboration too. The Diablo game is tonally inspired by Chiaroscuro, which made it exciting to world-build with such a dark and bold visual style within the production design, costume design, and cinematography to craft the thrilling battles between heaven and hell. We were conscious the pleas needed to be as powerful as the battles and Saviours that answer them, so grounding them was key. Breaking the fourth-wall is always a delicate line to execute well cinematically. The Diablo universe has such epic scope and a rich lore with a very passionate fanbase, so we needed to be as authentic as possible, while building emotion and journey into the piece. The script, written by the team at 72andSunny LA was anchored in a powerful call-and-response narrative - pleas for salvation delivered to camera as a direct call to action to fans and new Saviours yet to be summoned. Kiku> I recently co-directed a live-action trailer for the Diablo gaming franchise, bringing the epic Diablo IV universe to life with Chloe Zhao. The recent project I was involved in that excited me the most… I was involved in this and it makes me cringe… It was a true honour to collaborate with all involved. The spot was shot prior to Covid and remained unused for years, like the entire airline industry, but when Australia reopened the work had a deeper significance. For Australians, Peter Allen's song, 'I Still Call Australia Home', has a special place in the national psyche and the airline that has connected the country for a century. Kiku> Qantas, I Still Call Australia Home. I was lucky as Michael Leung was such a beautiful soul and his project Hong Kong Honey was unique. It was a small character piece for Nokia without huge pressure behind it, so I went off to Hong Kong with a brief from a smart creative team at RGA and came back with a little short film. The creative project that changed my career… Commercials I love are Glazer’s Levi’s Odyssey spot, Gucci Flora by Chris Cunnigham and Wrangler’s Yellow Brick Road – classics! A lot of films left a mark – Tokyo Story, In The Mood For Love, Lost in Translation - to name just a few. Kiku> Different things have inspired me at different points in my career. The piece of work that still makes me jealous… Kiku> I started off filming EPK’s for Australian bands. Kiku> The Blue Note catalogue is always spinning in my house, nothing like a bit of Grant Green or Kenny Burrell. The creative work that I keep revisiting… Kiku> Nothing specific, it was more a larger passion for filmmaking. The ad/music video/game/web platform that made me want to get into the industry… It’s playful, seemingly simple yet layered and complex. Kiku> Gondry’s Daft Punk Around the World. The ad/music video from my childhood that stays with me… Kiku has collaborated with some of the world’s premiere creative agencies, celebrities, artists and brands including Louis Vuitton, Remy Martin, Johnnie Walker, Blizzard Entertainment, Qantas and Genesis to name but a few.Īn Australian based in Los Angeles, Kiku works internationally across a diverse slate of narrative film and commercial projects. His most recent work includes a major brand film for Qantas, reshaping the iconic I Still Call Australia Home campaign, featuring a diverse, star-studded cast of contemporary Australians including Hugh Jackman, Kylie Minogue, Troye Sivan, Rene Kulitja and Ash Barty. With a skill for casting and directing non-professional and experienced actors alike, he draws truth and nuance from the human experience. His highly awarded film craft displays a rare depth and artistry. From elevated visual narrative, authentic character-driven performance to sophisticated VFX world builds, his immersive, emotionally charged work strikes a deep nerve. Kiku Ohe’s cinematic storytelling masterfully traverses genres and themes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |